…podcast listeners, a 72% increase since 2020 (25%), with women now accounting for half of the U.S. monthly Latino listening population. This growth isn’t incidental. It reflects a community actively…
…for the school. The school isn’t a savior. It’s an outlet. The scenes where the students are writing music and revealing their thoughts through their lyrics really shine, making me…
Think Narcos. Think Breaking Bad. Think of modern-day cowboys, shoot-outs, drugs, and sexually-available women. Sam Levinson has decided to ditch the hyper-fantastical high school setting for the delirium of drug…
…to her.” Both admissions involve real harm, real victims, and real outcomes, yet neither character is suddenly perceived as dangerous in the way Emma is. Surprise: she’s white American. And…
…First, there is Aunt Lydia, a character known for the power she wields over the most vulnerable women in Gilead. The other two voices belong to young women who will…
…women are expected to remain loyal. The women who appear alongside them often perform agreement, even enthusiasm. But look closer – really look – and something else flickers behind the…
…she touches. Here, she becomes the ghost of late-20th-century womanhood – trapped somewhere between the promise of second-wave feminism and the reality of still being expected to clean up after…
…for authority so much as an acknowledgment of absence and her decision to fill it. For young women navigating bilingual, transnational, algorithmically saturated realities, that kind of presence is not…
…and a kind of theatrical warmth that never really rests. That to be Latina, is to be spicy. But lately, a different expression of Latinidad has been quietly gaining visibility….
…listeners use their imaginations by excluding images, Casanova-Burgess said, which is definitely what’s happening in this season’s second episode. It features the hero of the cuatro. “You can really listen…
