In February 2009, the musical that would change Mexican pop culture forever premiered: Mentiras, el Musical. With 4,000 performances to its credit, a tenure of more than a decade on the billboards, and even a drag show (Mentidrags), it is one of the longest-running and most resonant theatrical productions in Latin America. By José Manuel […]
We were overwhelmed by the number of Latino films at Tribeca 2025 – and particularly happy to see so many win awards.
“The Better Sister” is the kind of show that sucker punches your weekend plans and has you texting your therapist mid-season.
“The Materialists” judges its heroine for wanting financial security and forsakes Pedro Pascal in the process.
In “Sally,” director Cristina Costantini celebrates the first U.S. woman to go into outer space while exploring her sacrifices.
Justice for Paul Reubens! As “Pee Wee as Himself” reminds us, the man behind the bow-tie gave us permission to be joyously weird and free.
“Sirens” has bold elements – dark feminine power, class commentary, even a whisper of mythology – but chooses to go vanilla instead.
From its score to its script, “Esta Isla” masterfully captures life in Puerto Rico while building our own mythic language.
“Murderbot” examines a future that feels increasingly like our present, with empathy (or the lack thereof) as the defining feature.
With “From the World of John Wick: Ballerina,” Ana de Armas becomes the first Latina to help a major Hollywood action franchise.