“The Drama” Explores Who Gets Feared and Who Gets Forgiven
“The Drama” asks, how do we judge who is worthy of sympathy? Are we judging harm or are we judging who we think is capable of harm?
“The Drama” asks, how do we judge who is worthy of sympathy? Are we judging harm or are we judging who we think is capable of harm?
Like its predecessor “The Handmaid’s Tale,” “The Testaments” portrays toppling patriarchy as a long battle, fought on many fronts.
“Inside the Manosphere,” rage is the product, misogyny is the hook, and young men are the market. So what are we to do now?
With the depth of its performances and the beauty of its setting, “El Último Gigante” is a moving, visually stunning film.
Already canceled, season 2 of “Ted” leans hard into its signature chaos, but underneath the noise is Seth MacFarlane’s signature heart.
Not simply a documentary about one artist, “A Body to Live In” explores the battlegrounds of identity, spirituality, and cultural ownership.
As a longtime fan of Rachel Zoe, I am ecstatic (but surprised) to see her back on reality TV via the “Real Housewives of Beverly Hills.”
With a strong cast, sharp comedy, and a twisting mystery, “The ‘Burbs” proves that the cul-de-sac might just be the most dangerous place.
“Emergência Radioativa” recreates the Cesium-137 accident with surgical precision, making poverty and institutional neglect the culprits.
“DTF St. Louis” in less interested in assigning blame than in examining the emotional machinery that enabled the murder at its center.