Reflections on Watching “Elio” During Artemis II
Space travel makes Earth look worn out – in the real-life photos from Artemis II and Pixar’s Latino-light 2025 film, “Elio.”
Space travel makes Earth look worn out – in the real-life photos from Artemis II and Pixar’s Latino-light 2025 film, “Elio.”
Apple TV’s “Widow’s Bay” is not here to comfort you. It’s more interested in getting deliciously unhinged.
Staring Paulina Dávila and Gael García Bernal, Netflix’s “Santita” brings a biting humor and fearless sexuality to disability discourse.
With “Last Night in Brooklyn,” Xochitl Gonzalez reimagines the 1925 classic The Great Gatsby, centering Latinidad in her version.
Hollywood promoted the films they hope will bring in the big box office bucks at CinemaCon 2026. But where are the Latinos? We investigate.
Starring Oscar Issac and Carey Mulligan, “Beef” season two is less about moments of unhinged pettiness and more about class warfare.
“Locatora Radio” is intimate, irreverent, and grounded. It feels intentional. And that intention makes it part of something bigger.
SXSW 2026 selections, “Agridulce” and “Quince” brilliantly capture aspects of Latinx coming-of-age with very different approaches.
Instead of investigating what Maddie’s overt sexuality means to her, “Euphoria” is happy to use it, once again, as just a trope.
“The Drama” asks, how do we judge who is worthy of sympathy? Are we judging harm or are we judging who we think is capable of harm?