Why Women Love Horror
At its core, horror explores the discomfort of power imbalances and if that doesn’t sum up what it is be women today, I don’t know what does.
At its core, horror explores the discomfort of power imbalances and if that doesn’t sum up what it is be women today, I don’t know what does.
“La Bola Negra” is the kind of grand, unapologetically queer film we have waited far too long to see: sweeping in scope, intimate in feeling.
Mermaids are warnings disguised as fantasies. Kristal Sotomayor’s “Las Cosas Que Brillan” takes that mythology back from the colonizers.
In “You Are What You See,” Doménica Feraud revisits the TV shows that “sculpted” her – for better or for worse.
Monsters are real, as Mexican filmmaker Guillermo Del Toro shows us in “Pan’s Labyrinth,” which is back in theaters for its 20th anniversary.
Ryan Murphy isn’t interested in documentaries. He makes mythology, that shows its seams and isn’t shy about implicating us along the way.
Netflix’s “El Círculo” honors its source material’s political and existential themes, creating a smart, dizzying, and human thriller.
Taking place today, Mike Flanagan’s “Carrie” understands that high school can be hell… and it has WiFi now.
Anthropologist Jason De León spent seven years embedded with smugglers moving people across Mexico to write “Soldiers and Kings.”
Vanessa Gonzalez premiered her first, full, hour-long stand up special and it’ll make you proud to be mamona.