The post, Barrio Television Broke the Mold, first appeared on Pressing Issues. Media representation isn’t about trying to distill fairness into a math equation. It’s about power – specifically, the power of self-determination. The civil-rights generation understood this and argued that the lack of opportunities afforded people of color to write, produce, and star in […]
As a local, I went into the 2026 Santa Fe International Literary Festival cautiously optimistic. I left blown away.
Sundance selects 8-15 feature films from our community per year, but what happens at the non-Latinx part of the festival? I investigate.
“The Musical” is all about critiquing white guys’ belief in their own greatness, even when the world is so clearly telling them otherwise.
I have a ray of light for you in the form of a documentary, “The Librarians,” which tells the stories of white women resisting book bans.
Sundance winner “Josephine” lays bare the hard truth that parents’ best can’t keep their kids safe. Not in this unjust world we’ve built.
Watching “Aanikoobijigan,” I kept returning to one disturbing question: what the fuck is wrong with the people who keep stolen human remains?
It’s going to be an epic year at Sundance and thankfully, Latinx storytellers are representing for the last time in Park City in 2026.
“Bob Trevino Likes It” earns your tears through its thoughtful rumination on connection, hurt, and healing.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.