“Inside the Manosphere” Shows It’s All Performance
“Inside the Manosphere,” rage is the product, misogyny is the hook, and young men are the market. So what are we to do now?
“Inside the Manosphere,” rage is the product, misogyny is the hook, and young men are the market. So what are we to do now?
Already canceled, season 2 of “Ted” leans hard into its signature chaos, but underneath the noise is Seth MacFarlane’s signature heart.
Not simply a documentary about one artist, “A Body to Live In” explores the battlegrounds of identity, spirituality, and cultural ownership.
We now know the truth about Cesar Chavez – so let’s rename the streets, honor Dolores Huerta, and show up for survivors more broadly.
With a strong cast, sharp comedy, and a twisting mystery, “The ‘Burbs” proves that the cul-de-sac might just be the most dangerous place.
“DTF St. Louis” in less interested in assigning blame than in examining the emotional machinery that enabled the murder at its center.
In an era obsessed with prestige television, there is something refreshing about a film like “They Will Be Done” that leans into pulp.
Bad Bunny and Residente are making a film about Puerto Rico’s 1897 uprising against Spanish rule. It should be filmed on the island.
“Starfleet Academy” opens up the Trek reckoning we desperately needed by finally addressing the franchise’s racist Klingon problem.
“Free Bert” succeeds because it understands a core comedic truth: Fitting in is overrated, and any attempt to do so is inherently ridiculous.