Led by 16-year-old Annie Jacobson (Ella Rubin), Sterling Point is the story of a Type-A, New York teenager who seemingly has it all – including her whole life figured out (competitive summer business program, Wharton business school, then a life of success, of course). Which is the opposite of how her twin brother, Connor (Keen […]
“Ride or Die” has everything: (grown-up) girl power, massive action sequences, comedic relief, and rebuilding a life-saving friendship.
“Elle” isn’t an origin story (because its Elle isn’t the one from “Legally Blond”). It’s just a nostalgia-fueled crash grab.
Consolidation in Hollywood demands our attention. It’s not just an unfair commercial environment – it’s an attack on diversity and democracy.
Sure, an office romance is complicated, but navigating them doesn’t compare to figuring out your place in a family business.
Seeing my hometown of Tampico, México on screen in “Cafe Chairel” healed a little piece of me. It’s the comfort movie I didn’t know I needed.
For all their supposed moral grayness, narco shows like “Dear Killer Nannies” end up glorifying their subjects. And that’s sickening.
Pretending a person can’t be Mexican AND Jewish – as seems to be the case in the conversation around the ‘Deep Cuts” casting – is wrong.
Venezuela, like the Dominican Republic “In the Time of the Butterflies,” survived a brutal dictator and his ouster.
This holiday season, I’m pushing back on my family’s “little” comments about my body, a skill I learned from Latina body positive books.