Queer Cinema Steps Forward with Epic “La Bola Negra”
“La Bola Negra” is the kind of grand, unapologetically queer film we have waited far too long to see: sweeping in scope, intimate in feeling.
“La Bola Negra” is the kind of grand, unapologetically queer film we have waited far too long to see: sweeping in scope, intimate in feeling.
Mermaids are warnings disguised as fantasies. Kristal Sotomayor’s “Las Cosas Que Brillan” takes that mythology back from the colonizers.
In “You Are What You See,” Doménica Feraud revisits the TV shows that “sculpted” her – for better or for worse.
Monsters are real, as Mexican filmmaker Guillermo Del Toro shows us in “Pan’s Labyrinth,” which is back in theaters for its 20th anniversary.
Ryan Murphy isn’t interested in documentaries. He makes mythology, that shows its seams and isn’t shy about implicating us along the way.
Netflix’s “El Círculo” honors its source material’s political and existential themes, creating a smart, dizzying, and human thriller.
Taking place today, Mike Flanagan’s “Carrie” understands that high school can be hell… and it has WiFi now.
Anthropologist Jason De León spent seven years embedded with smugglers moving people across Mexico to write “Soldiers and Kings.”
Vanessa Gonzalez premiered her first, full, hour-long stand up special and it’ll make you proud to be mamona.
Coverage of “Plaster Saints” created in partnership with NFMLA Carolina Sabrina Caruso’s Plaster Saints takes a sacred space that many women know, the pre-party time when we “get ready” together before a function, and turns it from playful to high stakes in under 13 minutes. The satirical dystopian thriller is set in an America under […]