“Club Kid” Wows at Cannes With Queer Authenticity
Club Kid is a triumph. And Diego Calva? He’s just getting started. Thankfully, A24 scooped up the rights, so we’ll all be seeing it soon.
The Latest
“Maximum Pleasure Guaranteed” Finds Dark Comedy in Online Scams
More than a thriller, “Maximum Pleasure Guaranteed” dives into our modern experiences of loneliness, online connection, and sex work.
“Margo’s Got Money Troubles” Should Focus More on the Art
“Margo’s Got Money Troubles” is braver in its premise than in its follow-through, glossing over too much of its heroine’s creative process.
The 2026 Santa Fe International Literary Festival Centered POC Wisdom
As a local, I went into the 2026 Santa Fe International Literary Festival cautiously optimistic. I left blown away.
I Wrote “The Sun and All the Other Stars” Because I Couldn’t Explain My Latina Heartbreak
To heal intergenerational trauma, I did past-lives regression therapy – and got inspired me to write “The Sun and All the Other Stars.”
Diego Luna’s “Ceniza en la Boca” (Ashes) Takes Immigrant Struggles to Cannes
As director, Diego Luna premieres his “Ceniza en la Boca” (Ashes), a film about what migration costs and who pays the hidden bill, at Cannes.
Netflix’s Hulk Hogan Doc Gives Us the Myth, Not the Man
As a disillusioned Hulkamaniac, I was hoping for more answers in Netflix’s “Hulk Hogan: Real American.”
RHOM is Pausing and I Feel Betrayed
RHOM makes Latina identity feel real on screen – and that’s why Bravo’s decision to pause this part of the franchise hurts so much.
The Love Story on Prime Video’s “Invincible” Is Sexist – and That’s Scary
Eve’s path in “Invisible” terrifies me – I don’t want to believe that love, for a woman, means the gradual obliteration of my identity.
“Envidiosa” Ends by Nudging Vicky to Grow Some More
Ending on its own terms after four seasons, Netflix’s “Envidiosa” reminds us that personal transformation is possible, but not magical.