Now in Season 2, “The Paper” Finds Humor in Dismal State of Journalism
“The Paper” tackles the conflicts between journalistic integrity and an outlet’s business model in an ever-consolidating media system.
“The Paper” tackles the conflicts between journalistic integrity and an outlet’s business model in an ever-consolidating media system.
We speak with the stars of Peacock’s “M.I.A.,” Shannon Gisela and Danay Garcia, about the new Latina-led series.
Already canceled, season 2 of “Ted” leans hard into its signature chaos, but underneath the noise is Seth MacFarlane’s signature heart.
As a longtime fan of Rachel Zoe, I am ecstatic (but surprised) to see her back on reality TV via the “Real Housewives of Beverly Hills.”
With a strong cast, sharp comedy, and a twisting mystery, “The ‘Burbs” proves that the cul-de-sac might just be the most dangerous place.
“Succession’s” Sarah Snook and Michael Peña team up to expose the unfair expectations put on mothers in Peacock’s “All Her Fault.”
Patrick Macmanus gave me a big opportunity when he picked me to be staff writer on “Devil in Disguise.” I was not going to let him down.
Peacock’s “The Paper” doesn’t deliver “Dunder Mifflin 2.0” but instead a real – and uncomfortable – portrait of journalism in decline.
Quantum Leap, The Boys, Gen V, Bridgerton, Grey’s Anatomy, and so many others are missing the depth and character Latinos bring.
“If You Were the Last” gives us a funny, sexy, and silly story, delivering a compelling treatise on love in all of its complicated glory.