“Pedro Páramo” Doesn’t Do Right by its Women
Rodrigo Prieto’s adaptation of the famed 1955 novel “Pedro Páramo” has a tricky relationship with the women within it.
Rodrigo Prieto’s adaptation of the famed 1955 novel “Pedro Páramo” has a tricky relationship with the women within it.
Season two of “La Casa de Los Famosos” Mexico might’ve had a happy and wholesome ending, but it’s impossible to ignore the earlier toxicity.
As a child, the Mexican filmmaker behind “Tótem,” Lila Avilés spent a lot of time alone – an experience she now brings to the big screen.
It’s a funny turn, seeing hapless Mexicans maneuver the attention of organized crime in Spain in “I Don’t Expect Anyone to Believe Me.”
The rest of Mexico may see Monterrey as backward and whitewashed. But these stereotypes are too small for my mother’s hometown.