How Influencers Are Reimagining Mexican Publishing
The next wave in Mexican publishing isn’t coming from universities or corporate houses – influencers are brewing it in our feeds.
The next wave in Mexican publishing isn’t coming from universities or corporate houses – influencers are brewing it in our feeds.
The third novel by Isabel Cañas, “The Possession of Alba Díaz” is a beautifully, unsettling read that manages to also be oddly optimistic.
Entertaining, culturally significant, and visually arresting, “Cada Minuto Cuenta” makes you understand the human cost of natural disasters.
Netflix’s “Las Muertas” gives us incisive commentary on Mexican power relations, systemic violence, and the role of the media in it all.
The Sundance Film Festival is returning to CDMX at the end of the month, bringing 15 feature and five short films.
“Emilia Pérez” is yet another example of Mexican struggles and culture being exploited for the benefit and ego of non-Mexicans.
Rodrigo Prieto’s adaptation of the famed 1955 novel “Pedro Páramo” has a tricky relationship with the women within it.
Season two of “La Casa de Los Famosos” Mexico might’ve had a happy and wholesome ending, but it’s impossible to ignore the earlier toxicity.
As a child, the Mexican filmmaker behind “Tótem,” Lila Avilés spent a lot of time alone – an experience she now brings to the big screen.
It’s a funny turn, seeing hapless Mexicans maneuver the attention of organized crime in Spain in “I Don’t Expect Anyone to Believe Me.”