“La Casa de Los Famosos” (Mostly) Brings Out the Worst in its Mexican Viewers
Season two of “La Casa de Los Famosos” Mexico might’ve had a happy and wholesome ending, but it’s impossible to ignore the earlier toxicity.
Season two of “La Casa de Los Famosos” Mexico might’ve had a happy and wholesome ending, but it’s impossible to ignore the earlier toxicity.
Here’s hoping this week’s Paralympics values participants as whole people and doesn’t make a devil out of anyone for just being themselves.
We still stereotypes in queer characters on telenovelas, but it’s still worth celebrating the progress we’ve made.
The latest experimental film from filmmaker Eduardo Williams, “The Human Surge 3” challenges the conventions of cinema and our world.
While Hollywood stifled queer stories, things happened differently in LGBTQ Latin American cinema – and these 11 films prove it.
Before premiering at Frameline Festival, “Fallen Fruit” director Chris Molina talks Miami, community-building, and queer filmmaking.
“The Seven Husbands of Evelyn Hugo” brought this old-fashioned lesbian to my knees, reminiscing of a love I thought I was over with.
As a mother and author, I demonstrate my love for my daughter by reading to her every night, including titles like these Latinx Pride books.
The late, great Lourdes Portillo’s presence and willingness to lean into ambiguity make “The Devil Never Sleeps” a classic to catch now.
From “Mutt” to “In the Summers,” Lío Mehiel normalizes and humanizes people who are too often villainized or erased.