“My Dead Friend Zoe” Is a Different Veteran Film
“I’ve never seen a white man decide that his story was best told through two women of color,” said Natalie Morales of “My Dead Friend Zoe.”
“I’ve never seen a white man decide that his story was best told through two women of color,” said Natalie Morales of “My Dead Friend Zoe.”
“Omar and Cedric: If This Ever Gets Weird” is an unrestrained, personal account of two musicians’ lifelong friendship.
“Cheech & Chong’s Last Movie” reminds us that despite their disagreements, these prolific stoners complement each other like yin and yang.
“Malta” is a deeply Colombian film, focusing on what it is to be young, ordinary, and lost in the South American country.
In the SXSW rom-com “Switch Up” the moral of the story is to pay it forward says its star Julieth Restrepo and director Tara Pirnia.
With the contradiction in its lead’s claims of love and intent to quit drugs, “La Bachata de Bionico” is funny, feeling real yet heightened.
With the SXSW documentary, “The In Between,” sibling and filmmakers Robbie and Alejandro Flores tell a different tale of the border.
SXSW 2024 is back and better premiering twelve full-length films featuring Latinx talent, filmmakers, and luminaries.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.