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“The Bear” Season 3 Offers Me Uncomfortably Close Insights
Having worked in restaurants and seen my fair share of shit, I loved season 3 of “The Bear,” a cleverly constructed montage of trauma.
Having worked in restaurants and seen my fair share of shit, I loved season 3 of “The Bear,” a cleverly constructed montage of trauma.
While Hollywood stifled queer stories, things happened differently in LGBTQ Latin American cinema – and these 11 films prove it.
Told in both Spanish and English, “Acapulco” keeps up the humor, Latin flavor, and maximalist aesthetic in its third season.
Building on WALL-E’s legacy, “Robot Dreams” finds its drama in its robot/dog odd pairing, resolving in an unexpectedly mature way.
Staring Cuban-American Jeanine Mason, the new, feel-good, animated series, “WondLa” asks, what does a family look like?
Before premiering at Frameline Festival, “Fallen Fruit” director Chris Molina talks Miami, community-building, and queer filmmaking.
“3 2 1 ¡Impro!” gives a sense of the impact of Latine improvisational theater on our communities and the art form at large.
The “High and Low – John Galliano” documentary is about the possibility of redemption, even in the face of an unforgivable sin.
New emotions and bigger stakes help “Inside Out 2” continue the rewarding journey started in the original 2015 film.
“Bridgerton” may not have any Latinos in it, but that doesn’t mean we don’t see ourselves in it, particularly in its celebration of chisme.