Top Stories

A Power List of 40 Latinas and Queer Latinxs in Publishing

by Saraciea J. Fennell

Take it From a Mexican: “Emilia Pérez” is Trash

by Ces Heredia

“Kiss of the Spider Woman” is the Gay, Latinx Musical We Need

by Cristina Escobar

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In “Mad Bills to Pay: (or Destiny, dile que no soy malo),” Machismo Belies A Wounded Heart
by Alejandra Martinez, MSIS
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Max’s “The Pitt” Brings Medical Chaos Back to the Screen – and My Worst Fears With It
by Denise Zubizarreta
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Sundance Horror, “The Virgin of Quarry Lake,” Knows Where the Real Demons Lie
by Cristina Escobar
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A Power List of 40 Latinas and Queer Latinxs in Publishing
by Saraciea J. Fennell
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Justicia & Cultura

Take it From a Mexican: “Emilia Pérez” is Trash
by Ces Heredia

Lessons for Today from 1987’s “Born in East L.A.”
by Angélica Escobar

The Press Should Stop Ignoring Latina Artists
by Denise Zubizarreta
Mujeres To Follow

A Power List of 40 Latinas and Queer Latinxs in Publishing
by Saraciea J. Fennell
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What We're Watching

In “Mad Bills to Pay: (or Destiny, dile que no soy malo),” Machismo Belies A Wounded Heart
by Alejandra Martinez, MSIS

Max’s “The Pitt” Brings Medical Chaos Back to the Screen – and My Worst Fears With It
by Denise Zubizarreta

Sundance Horror, “The Virgin of Quarry Lake,” Knows Where the Real Demons Lie
by Cristina Escobar

Uplifiting Latina & femme Latinx perspectives in media

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Ces Heredia
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