In 2020, let’s consume a TV diet that’s 90% women-led (or more!)and keep pushing the representation ratio in the right direction.

It’s the first week of 2020, and as a new year begins, so does award season. As many of us are gathering our hopes and dreams for 2020, the Hollywood…

In season three, Amy Sherman-Palladino’s “The Marvelous Mrs. Maisel” finally gives us what we’ve been waiting for: characters of color!

With just days left of 2019, I’ve started reflecting on the past year. And to be frank, it’s been a tough one. From the racist that continues to run this…

Who gets to tell the story of breaking the vow of celibacy? Maybe we’re still waiting – even after “Fleabag” and “El Crimen del Padre Amaro.”

Our criteria? How much we liked it (duh), its overall quality (based on our scientific quality meter), and how smart it was when it came to matters of gender, race, sexuality, etc.

Charmed has given up on what made it charming. Season two is a spell that doesn’t work — incantations in accented Spanish, three actresses who don’t interact very much, romance without any sex appeal, demons who are not deliciously evil or even compellingly bad.

“I hated maternity leave, too and I am an excellent mother,” says Miranda Bailey in the premiere of Grey’s Anatomy’s 16th season. Would I ever get there?

There’s a certain “cool girl” factor in watching “The Good Place” for the Big Ideas and not the relationships. But now that it’s almost over, I’m rooting for Eleanor and Chidi.

I like Riverdale. Everything is both earnest and ridiculous and the same is true of Veronica Lodge’s ethnicity.