“Obsession” Subverts the Tóxica Trope
“Obsession” places the real horror in something women have been experiencing since the dawn of time – the burden of men’s perceptions.
“Obsession” places the real horror in something women have been experiencing since the dawn of time – the burden of men’s perceptions.
In expanding both the form and the constituency of cultural analysis, Gaby Meza has redrawn the contours of authority for a LATAM generation.
“México 86” is a satirical look into the origins of hyper-commercialized soccer. Consider it required viewing ahead of the 2026 World Cup.
Club Kid is a triumph. And Diego Calva? He’s just getting started. Thankfully, A24 scooped up the rights, so we’ll all be seeing it soon.
Space travel makes Earth look worn out – in the real-life photos from Artemis II and Pixar’s Latino-light 2025 film, “Elio.”
With the depth of its performances and the beauty of its setting, “El Último Gigante” is a moving, visually stunning film.
In an era obsessed with prestige television, there is something refreshing about a film like “They Will Be Done” that leans into pulp.
Sundance selects 8-15 feature films from our community per year, but what happens at the non-Latinx part of the festival? I investigate.
Being a film director isn’t easy. I had to toss aside all my “Plan Bs” to make “Rendez-vous” not just a dream, but a reality.
“Narciso” is a timeless, quietly powerful film that meets the moment in tying the past with the present through the power of sound.