“Seeking Mavis Beacon” Uses Nostalgia in the Best Way
Nostalgia-powered documentary “Seeking Mavis Beacon” offers forward-thinking discussions about representation, digital footprint, and privacy.
Nostalgia-powered documentary “Seeking Mavis Beacon” offers forward-thinking discussions about representation, digital footprint, and privacy.
“In the Summers” writer/directer Alessandra Lacorazza Samudio insisted on casting Latinas in her acclaimed film, calling it “a nonnegotiable”
“Sugarcane” shows how state-funded, Catholic-run schools abused and killed tens of thousands of Indigenous children across North America.
Adria Arjona Helps Make “Hit Man” the Best Rom-Com We’ve Seen in Forever
Based on a true story, “Radical” sets out to switch up the narratives around underprivileged brown kids from the frontera.
From “Mutt” to “In the Summers,” Lío Mehiel normalizes and humanizes people who are too often villainized or erased.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.
Alessandra Lacorazza’s semi-autobiographical film “In the Summers” is about two sisters who visit their alcoholic father (aka Residente).