Netflix’s Hulk Hogan Doc Gives Us the Myth, Not the Man
As a disillusioned Hulkamaniac, I was hoping for more answers in Netflix’s “Hulk Hogan: Real American.”
As a disillusioned Hulkamaniac, I was hoping for more answers in Netflix’s “Hulk Hogan: Real American.”
Ending on its own terms after four seasons, Netflix’s “Envidiosa” reminds us that personal transformation is possible, but not magical.
Starring Oscar Issac and Carey Mulligan, “Beef” season two is less about moments of unhinged pettiness and more about class warfare.
“Inside the Manosphere,” rage is the product, misogyny is the hook, and young men are the market. So what are we to do now?
With the depth of its performances and the beauty of its setting, “El Último Gigante” is a moving, visually stunning film.
Gloria Cazares’s presence on the Oscar stage, winning for “All the Empty Rooms,” gives space to Latino grief amidst so much violence.
“Emergência Radioativa” recreates the Cesium-137 accident with surgical precision, making poverty and institutional neglect the culprits.
True to the original play’s spirit, but with a delightfully Argentine identity, “Parque Lezama is a lucid and heartfelt defense of old age.
“Free Bert” succeeds because it understands a core comedic truth: Fitting in is overrated, and any attempt to do so is inherently ridiculous.
“Reality Check: Inside America’s Next Top Model” could have been a reckoning. Instead, it feels like a PR recalibration.