Studios Forsake LGBTQ Representation at Their Own Peril
Q&A with GLAAD researcher Raina Deerwater about her “Where We Are in Film” report on LGBTQ representation in film.
Q&A with GLAAD researcher Raina Deerwater about her “Where We Are in Film” report on LGBTQ representation in film.
Ángeles Mastretta’s iconic 1996 novel, “Mal de Amores” (Lovesick), has lost none of its power, adapted by the author’s daughter for Netflix.
When Jackie starts messing up in season three of “My Life with the Walter Boys,” the show misses an opportunity to finally address race.
An unmissable cinematic experience, “Un Hijo Propio” exposes the gravity of social pressures pushing women to motherhood.
Netflix’s “Little House on the Prairie” tells the story of a family of land grabbers – and as a Boricua, I’m so tired of these lies.
If Netflix’s 72 Hours proves anything, it’s that audiences will always make time for a raunchy comedy about men making terrible decisions in Miami. Directed by Tim Story, the film stars Kevin Hart as Joe, a 40-year-old advertising executive who’s accidentally added to a group chat for a bachelor party. Instead of deleting the messages […]
In the fictional Netflix film, the gun is already in her hand when the fight reaches its worst point. Elize has just confronted Marcos about his affair, and instead of denying it or explaining himself, he reaches for his favorite move: invoking her past in prostitution, calling her crazy, threatening to have her psychiatrically committed, […]
The “Heartstopper” finale reminds us what this show has been about all along – finding your safe people and holding on to them tightly.
Netflix’s latest adaptation, “No Tengo Miedo,” delves into structural poverty, childhood innocence, and adult failings.
The attention economy is ravaging our ability to think critically – and consume works of art like “East of Eden.”