When Humberto G. Garcia attended San Felipe High School in Del Rio, Texas, he didn’t learn about the Miracle Five–the Mexican-American golf team who won the state championship in 1957. It wasn’t until he was at a local golf tournament in 2008 that he learned about the teen champs, saying at a recent event, “In […]
Eugenio Derbez’s Spanish dub of the Shrek films are arguably the funniest versions. So why aren’t they celebrated in the re-release?
Camila Mendes is finally giving us the representation we deserve in rom-coms, no shade to JLo’s attempts in the early aughts on forward.
The creators of “Música” share with LatinaMedia.Co how they built a Brazilian American coming-of-age story that rejects machismo.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
“Dune: Part Two” delivers stunning desert vistas alongside dreary empires of destruction, but its white savior narrative is tired at best.
SXSW 2024 is back and better premiering twelve full-length films featuring Latinx talent, filmmakers, and luminaries.
Many characterized the diverse dolls of “Barbie” as a step forward, but the multiethnic ensemble felt like a familiar embrace to me.
Sometimes, the best true stories are fiction, at least in part. That’s the case of animated false documentary, “They Shot the Piano Player.”
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.