“A Sloth Story” is a Warm Immigration Fable
“A Sloth Story” explores cultual and generational differences, capturing little moments and creating a sweet, memorable story.
“A Sloth Story” explores cultual and generational differences, capturing little moments and creating a sweet, memorable story.
As someone working to help immigrants in Madrid, I see a lot of truth in the fictional story of “The Brutalist” and its László Tóth.
The 1987 film, “Born in East L.A.” satirizes the blunt and often insensitive nature of immigration enforcement. Nothing’s changed.
“Problemista” depicts the immigrant experience as an impossible maze paved by money. And that’s accurate – take it from someone who lived it.
With the SXSW documentary, “The In Between,” sibling and filmmakers Robbie and Alejandro Flores tell a different tale of the border.
By telling his immigration story in “Solito,” Javier Zamora gives the Salvi community (and readers at large) a specific and unafraid memoir.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
The 1993 film, “La Guagua Aérea,” is a classic story about [e]migration, delving into issues of identity, cultural pride, and assimilation.
Before finding filmmaker Lina Rodriguez, I’d never seen movies so specifically and complexly about the Colombian hyphenated experience.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.