Why Women Love Horror
At its core, horror explores the discomfort of power imbalances and if that doesn’t sum up what it is be women today, I don’t know what does.
At its core, horror explores the discomfort of power imbalances and if that doesn’t sum up what it is be women today, I don’t know what does.
Taking place today, Mike Flanagan’s “Carrie” understands that high school can be hell… and it has WiFi now.
“Obsession” places the real horror in something women have been experiencing since the dawn of time – the burden of men’s perceptions.
Apple TV’s “Widow’s Bay” is not here to comfort you. It’s more interested in getting deliciously unhinged.
In a new wave of horror films like “Huesera,” Latinas are the storytellers – and they’re dramatizing what scares us.
“Welcome to Derry” illustrates collective apathy and cycles of violence – and this grounding in reality makes it particularly horrifying.
For me, “ZombieCON Vol. 1” is A B-movie with an A+ heart, destined to live forever in the undead pantheon of con nerd favorites.
The third novel by Isabel Cañas, “The Possession of Alba Díaz” is a beautifully, unsettling read that manages to also be oddly optimistic.
“The Bleeding Woods” is a happy little mess of things that made me smile when my smiles were in short supply – and I am grateful for it.
Among the burnt ends and weirdly wonderful picks at Fantastic Fest 2025 are three Latine projects worth checking out.