“Obsession” Subverts the Tóxica Trope
“Obsession” places the real horror in something women have been experiencing since the dawn of time – the burden of men’s perceptions.
“Obsession” places the real horror in something women have been experiencing since the dawn of time – the burden of men’s perceptions.
Apple TV’s “Widow’s Bay” is not here to comfort you. It’s more interested in getting deliciously unhinged.
In a new wave of horror films like “Huesera,” Latinas are the storytellers – and they’re dramatizing what scares us.
“Welcome to Derry” illustrates collective apathy and cycles of violence – and this grounding in reality makes it particularly horrifying.
For me, “ZombieCON Vol. 1” is A B-movie with an A+ heart, destined to live forever in the undead pantheon of con nerd favorites.
The third novel by Isabel Cañas, “The Possession of Alba Díaz” is a beautifully, unsettling read that manages to also be oddly optimistic.
“The Bleeding Woods” is a happy little mess of things that made me smile when my smiles were in short supply – and I am grateful for it.
Among the burnt ends and weirdly wonderful picks at Fantastic Fest 2025 are three Latine projects worth checking out.
A unicorn. A billionaire. A bloodbath. Sounds like a fever dream, right? But that’s exactly what you get in HBO Max’s and A24’s Death of a Unicorn, a glittery, gory satire that sinks its horn straight into the rotten heart of capitalist greed. The setup is deceptively simple: A weekend retreat has deadly consequences when […]
Combining U.S. horror tropes and Mexican folk lore, Silvia Moreno-Garcia’s latest novel, “The Bewitching,” is the representation we need.