“Past Lives” Is a Mediation on (Immigrant) Sacrifice Wrapped in a Love Story
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
Jackie Cruz sees her part in the horror flick “History of Evil” as part of her activism – and following in her mother’s footsteps.
“Dune: Part Two” delivers stunning desert vistas alongside dreary empires of destruction, but its white savior narrative is tired at best.
SXSW 2024 is back and better premiering twelve full-length films featuring Latinx talent, filmmakers, and luminaries.
Before finding filmmaker Lina Rodriguez, I’d never seen movies so specifically and complexly about the Colombian hyphenated experience.
Sometimes, the best true stories are fiction, at least in part. That’s the case of animated false documentary, “They Shot the Piano Player.”
“Bob Marley: One Love” is enjoyable but could have done more than remind audiences of an already acclaimed album.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.