“Bob Marley: One Love” is Fun and Forgettable
“Bob Marley: One Love” is enjoyable but could have done more than remind audiences of an already acclaimed album.
Film
“Igualada” Director Juan Mejía Botero Believe a New Type of Politic is Possible
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Klaudia Reynicke’s “Reinas” Re-Writes the Immigration Movie
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.
Sundance Winner “Sujo” Honors Mexican Youth
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.
Director Lila Avilés Explores Grief Through a Child’s Eyes in “Tótem”
As a child, the Mexican filmmaker behind “Tótem,” Lila Avilés spent a lot of time alone – an experience she now brings to the big screen.
Leaving White Feminism in 2023
Hollywood may be stuck depicting white feminism, but I’m not. I’m leaving behind my passive acceptance of it in 2023 and hope you will too.
“The Color Purple” Sparkles with Love, Life, and Strife
Vibrant, moving, and epitomizing the struggles and hardships in life with the ability to shine brightly regardless, The Color Purple sparkles. The cast delivers top-tier performances, the direction and cinematography sing, and every scene matters. Besides the acting, the music is playlist-worthy with its mind-blowing songs that make me recall the dance numbers accompanying each […]
“A Place in the Field” Depicts Healing Like Only Director Nicole Mejia Can
Rooted in Honduran director Nicole Mejia’s perspective, “A Place in the Field” is a scrappy film with a deep sense of place and culture.
“I Don’t Expect Anyone to Believe Me” Plays with Belief to Lampoon Colonialism
It’s a funny turn, seeing hapless Mexicans maneuver the attention of organized crime in Spain in “I Don’t Expect Anyone to Believe Me.”
Why the Downfall of the ‘Scream’ Franchise Feels So Personal
“Scream” was the franchise that got me into horror movies but with Melissa Barrera’s firing and Jenna Ortega’s exit one day later, I’m out.