African Diaspora International Film Festival (ADIFF) Celebrates Latino Filmmakers
ADIFF (African Diaspora International Film Festival) helps correct the underrepresentation of people of color, including those from LATAM.
ADIFF (African Diaspora International Film Festival) helps correct the underrepresentation of people of color, including those from LATAM.
Biting, thrilling, and self-assured, “Down the Rabbit Hole” is one of the most interesting Mexican films from Netflix this year.
“Emilia Pérez” is quite possibly the most unique, creative, and artful movie these grandes ojos marrones have ever been blessed with.
As a lover of rom-coms, I wanted to like “Purple Hearts,” but this Netflix film isn’t a feel-good love story. It’s just right-wing propaganda.
Beauty and quiet pain build to a crescendo in “High Tide,” a worthwhile if disjointed SXSW film about moving forward.
The tides are turning in horror and the roster of scream queens is growing increasingly diverse with Latinas helping to lead the way.
Even though the genre was born out of American fatalism, film noir became something new and powerful in the hands of Brazilian filmmakers.
Nostalgia-powered documentary “Seeking Mavis Beacon” offers forward-thinking discussions about representation, digital footprint, and privacy.
Netflix film “Rez Ball” embraces the harsh truths of the Native communities it portrays while giving reverence to what they hold dear.
“In the Summers” writer/directer Alessandra Lacorazza Samudio insisted on casting Latinas in her acclaimed film, calling it “a nonnegotiable”