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We Need More Latina Late Bloomer Stories
When it comes to late bloomer stories, white women like Dakota Johnson in “Am I OK?” are not giving Latinas the representation we need.
When it comes to late bloomer stories, white women like Dakota Johnson in “Am I OK?” are not giving Latinas the representation we need.
“The Brothers Sun” follows a family of renowned Chinese gangsters and has a little something for everyone – particularly Latinx viewers.
The late, great Lourdes Portillo’s presence and willingness to lean into ambiguity make “The Devil Never Sleeps” a classic to catch now.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
“The Iron Claw” shows how patriarchy’s promises of protection are false, even as they continue to capture so many men’s imaginations.
Turns out, there’s a lot to learn from “Spy Kids: Armageddon,” the latest installment in Robert Rodriguez’s beloved franchise.
Growing up, my cousins and I devoured “The Summer I Turned Pretty” book series and now the show has us debating Belly’s choices again.
“When we get hit, we get stronger.” This single line from “Blue Beetle” encompasses an entire culture, celebrating Latinos’ grit.
I never saw my particularly-fraught relationship with my Colombian immigrant mom represented, until I stumbled on “Never Have I Ever.”
Chanel Cleeton’s “Next Year in Havana” is about two Cuban women from the same family facing challenges and changes in uncertain times.