The Daughter Who Leaves and Latino Family Expectations
“Roma” and “Encanto” are stories of Latino family expectations, memory, and change, but what stayed with me was something simpler: presence.
“Roma” and “Encanto” are stories of Latino family expectations, memory, and change, but what stayed with me was something simpler: presence.
Biting, thrilling, and self-assured, “Down the Rabbit Hole” is one of the most interesting Mexican films from Netflix this year.
“Como Agua Para Chocolate” on HBO brings new life to this love story, exploring family obligations, gender roles, and the power of gastronomy.
“Párvulos” combines survivalist horror with coming-of-age elements, ending up a with a mixture that’s equal parts grim and hopeful.
When it comes to late bloomer stories, white women like Dakota Johnson in “Am I OK?” are not giving Latinas the representation we need.
“The Brothers Sun” follows a family of renowned Chinese gangsters and has a little something for everyone – particularly Latinx viewers.
The late, great Lourdes Portillo’s presence and willingness to lean into ambiguity make “The Devil Never Sleeps” a classic to catch now.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
“The Iron Claw” shows how patriarchy’s promises of protection are false, even as they continue to capture so many men’s imaginations.
Turns out, there’s a lot to learn from “Spy Kids: Armageddon,” the latest installment in Robert Rodriguez’s beloved franchise.