The Cost of Being Latinx in Donald Trumpâs America
The cost of being Latinx in 2025? Let’s just say fascism is fully back, but this time it has a crush on Jenna Ortega.
The cost of being Latinx in 2025? Let’s just say fascism is fully back, but this time it has a crush on Jenna Ortega.
In the second edition of Con Texto, a monthly entertainment drop in partnership with The Latinx Collective, we talk Bad Bunny, Andor, y mĂĄs.
We’re excited to bring you something new â Con Texto, a monthly entertainment drop in partnership with The Latinx Collective.
Every year, Cinemacon previews the blockbusters looking to fill theater seats, but in 2025 the studios didn’t feature enough Latinos.
With his Calvin Klein ad, Bad Bunny is on top, redefining the intersection for desirability and agency for puertorriqueĂąos y mĂĄs.
By creating the visual poetry of “DeBĂ TiRAR MĂĄS FOTos,” Bad Bunny’s carving out space for all of us to dream bigger and create louder.
When I first heard about Netflix’s emerging reggaetonero comedy “Neon,” I was excited – but the representation I craved was MIA.
Quantum Leap, The Boys, Gen V, Bridgerton, Greyâs Anatomy, and so many others are missing the depth and character Latinos bring.
Director Roger Ross Williams says, âGetting past homophobia and sexism – It’s possible. ‘Cassandro’ lets us see that it’s possible.â
“Cassandro” is a moving, and sweet biopic that touches on interesting ideas about gender and performance, even if it could have gone deeper.Â