A brown woman lays unconscious on the sidewalk. Blood pools beautifully from her head. In the corner of the shot, you can see the green foliage from the park she was running in. In the next season, a different, once beautiful woman lies on the ground. She’s surrounded by her own blood with a gash […]
Marvel’s Runaways, Hulu’s recently concluded teen superhero show, may have its problems but it’s still a step forward in representation.
I’m going to miss The Good Place. I loved escaping to where people are basically good, cruelty is bad, and fairness and justice are worthwhile pursuits.
I grew up watching Star Trek: The Next Generation and am excited for Picard but I’d rather catch up with Deep Space Nine’s Sisko than Jean Luc any day.
In 2020, let’s consume a TV diet that’s 90% women-led (or more!)and keep pushing the representation ratio in the right direction.
In season three, Amy Sherman-Palladino’s “The Marvelous Mrs. Maisel” finally gives us what we’ve been waiting for: characters of color!
Who gets to tell the story of breaking the vow of celibacy? Maybe we’re still waiting – even after “Fleabag” and “El Crimen del Padre Amaro.”
Our criteria? How much we liked it (duh), its overall quality (based on our scientific quality meter), and how smart it was when it came to matters of gender, race, sexuality, etc.
Charmed has given up on what made it charming. Season two is a spell that doesn’t work — incantations in accented Spanish, three actresses who don’t interact very much, romance without any sex appeal, demons who are not deliciously evil or even compellingly bad.
“I hated maternity leave, too and I am an excellent mother,” says Miranda Bailey in the premiere of Grey’s Anatomy’s 16th season. Would I ever get there?