In “Mad Bills to Pay: (or Destiny, dile que no soy malo),” Machismo Belies A Wounded Heart
There’s something softer beneath the main character’s hard surface in the Sundance selection, “Mad Bills to Pay.”
There’s something softer beneath the main character’s hard surface in the Sundance selection, “Mad Bills to Pay.”
Laura Casabé’s “The Virgin of Quarry Lake” offers a particularly alluring fantasy, following teen girls during the 2001 Argentinian crisis.
“I say the style is retro-futuristic, tropical, punk,” Gala del Sol says of her Colombian Sundance film, “Rains Over Babel.”
Musicals. Documentaries. Musical documentaries. Here is your Latinx feature film watch list for Sundance 2025!
Nostalgia-powered documentary “Seeking Mavis Beacon” offers forward-thinking discussions about representation, digital footprint, and privacy.
“In the Summers” writer/directer Alessandra Lacorazza Samudio insisted on casting Latinas in her acclaimed film, calling it “a nonnegotiable”
“Sugarcane” shows how state-funded, Catholic-run schools abused and killed tens of thousands of Indigenous children across North America.
Adria Arjona Helps Make “Hit Man” the Best Rom-Com We’ve Seen in Forever
Based on a true story, “Radical” sets out to switch up the narratives around underprivileged brown kids from the frontera.
From “Mutt” to “In the Summers,” Lío Mehiel normalizes and humanizes people who are too often villainized or erased.