“The Huntress (La Cazadora)” Mythologizes Vengeance Against Juárez Femicide
The women in front of and behind the camera in “The Huntress” leave you praying for the bus doors to open so you can take a gasp of fresh air.
Sundance
Sundance Doc “Aanikoobijigan” Reveals Perversity and Unity
Watching “Aanikoobijigan,” I kept returning to one disturbing question: what the fuck is wrong with the people who keep stolen human remains?
“Gail Daughtry and the Celebrity Sex Pass” Is Delightfully Unhinged
“Gail Daughtry and the Celebrity Sex Pass” is a dumb, strangely hopeful comedy about agency and the ways women are taught to compromise.
“The Gallerist” and the Art of Selling Emptiness
A dead body is impaled on a sculpture at Art Basel Miami, and instead of calling the police, a desperate gallerist decides to sell it. That’s not a metaphor. That’s the actual logline of Cathy Yan’s The Gallerist, which premiered at Sundance 2026. They bill it as a “comic thriller” and “ironic fever dream” about […]
“It’s Never Over, Jeff Buckley.” Por Siempre.
The HBO documentary “It’s Never Over, Jeff Buckley” tells the story of the Panamanian-American musician who died way too soon.
8 Latinx Films to Watch for at Sundance 2026
It’s going to be an epic year at Sundance and thankfully, Latinx storytellers are representing for the last time in Park City in 2026.
“Noviembre” and “Kiss of the Spider Woman” Give Us Women in Revolution
The women of “Noviembre” and “Kiss of the Spider Woman” remind us how trauma, gender, and power intersect, giving us hope along the way.
“Igualada” Director Juan Mejía Botero Believe a New Type of Politic is Possible
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
River Gallo on Latinidad, Cowboys, and Gender in Feature Debut “Ponyboi”
Latina Media Co interviews “Ponyboi” writer and star River Gallo on what makes their films so specific and evocative to Latine audiences.
With “Sally” Cristina Costantini Creates an Inspiring, Cautionary Tale
In “Sally,” director Cristina Costantini celebrates the first U.S. woman to go into outer space while exploring her sacrifices.