“Past Lives” Is a Mediation on (Immigrant) Sacrifice Wrapped in a Love Story
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
The 1993 film, “La Guagua Aérea,” is a classic story about [e]migration, delving into issues of identity, cultural pride, and assimilation.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.
Ariana DeBose sat down with LatinaMedia.Co to talk about her new film “I.S.S.,” life since her Oscar win, and how she chooses roles.
The outstanding Colombian film, “El Otro Hijo” opens with the end of Federico’s childhood – at the moment his brother dies suddenly.
Q+A with Shakira Barrera, actress and ¡Tú Cuentas! ambassador about what makes this Latinx youth film festival so important.
Twenty years ago, the dramatic thriller “21 Grams” came out in North American theaters, and became an emblematic work of modern cinema.
“Santiago de las Mujeres” director Rosamary Berríos Hernández talks culture, cinematography, and the importance of telling our stories.