SXSW’s “Switch Up” Brings an Easy Latinidad to US Rom-Coms
In the SXSW rom-com “Switch Up” the moral of the story is to pay it forward says its star Julieth Restrepo and director Tara Pirnia.
In the SXSW rom-com “Switch Up” the moral of the story is to pay it forward says its star Julieth Restrepo and director Tara Pirnia.
With the contradiction in its lead’s claims of love and intent to quit drugs, “La Bachata de Bionico” is funny, feeling real yet heightened.
Whether as an understated indie star or a cocky fighter pilot, Oscar Isaac has proven that his is a genuine and undeniable talent.
These eight women directors deserve to be celebrated for their Oscar nominations but there should be so, so many more of them.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
The 1993 film, “La Guagua Aérea,” is a classic story about [e]migration, delving into issues of identity, cultural pride, and assimilation.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Making “Reinas” was a homecoming for writer/director Klaudia Reynicke, which is ironic because the Sundance film is about the act of leaving.
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.
Ariana DeBose sat down with LatinaMedia.Co to talk about her new film “I.S.S.,” life since her Oscar win, and how she chooses roles.