Camila Mendes Might Just Be Our Generations’ JLo
Camila Mendes is finally giving us the representation we deserve in rom-coms, no shade to JLo’s attempts in the early aughts on forward.
Camila Mendes is finally giving us the representation we deserve in rom-coms, no shade to JLo’s attempts in the early aughts on forward.
“I’ve never seen a white man decide that his story was best told through two women of color,” said Natalie Morales of “My Dead Friend Zoe.”
“Omar and Cedric: If This Ever Gets Weird” is an unrestrained, personal account of two musicians’ lifelong friendship.
“Cheech & Chong’s Last Movie” reminds us that despite their disagreements, these prolific stoners complement each other like yin and yang.
“Malta” is a deeply Colombian film, focusing on what it is to be young, ordinary, and lost in the South American country.
In the SXSW rom-com “Switch Up” the moral of the story is to pay it forward says its star Julieth Restrepo and director Tara Pirnia.
With the contradiction in its lead’s claims of love and intent to quit drugs, “La Bachata de Bionico” is funny, feeling real yet heightened.
With the SXSW documentary, “The In Between,” sibling and filmmakers Robbie and Alejandro Flores tell a different tale of the border.
These eight women directors deserve to be celebrated for their Oscar nominations but there should be so, so many more of them.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.