With “Un Día de Mayo,” Juan Esteban Suarez Demands More for Puerto Rican Cinema
“Un Día de Mayo” is a visually stunning love story, an ode to Puerto Rico, and a powerful example of anticolonial cinema.
“Un Día de Mayo” is a visually stunning love story, an ode to Puerto Rico, and a powerful example of anticolonial cinema.
We should pay more attention to how our community engages with its history and yes, that means we need to decolonize our Heritage Month.
“Dune: Part Two” delivers stunning desert vistas alongside dreary empires of destruction, but its white savior narrative is tired at best.
At the end of the first episode of Netflix’s The Crown Season 6, Princess Diana (Elizabeth Debicki) enters her Kensington Palace rooms. She finds them filled with red and fuschia roses. A small case is on the table. It contains a beautiful watch of gold and diamonds, a present from her latest love interest – […]
It’s a funny turn, seeing hapless Mexicans maneuver the attention of organized crime in Spain in “I Don’t Expect Anyone to Believe Me.”
“De La Calle” isn’t perfect but my Spotify has been bumping since watching Nick Barili recount Latinx artists’ contributions to Urbano music.
Netflix’s Wednesday Addams has a sharp tongue that she uses to inflict gloom and doom, dive into anti-colonialism, and embrace her Latinidad.
“Lineage of Rain” author Janel Pineda discusses the process of publishing her first chapbook, how she prepares for performances, and her hopes for her career and the Salvadoran diaspora.
With her debut novel “The Five Wounds” out, author Kirstin Valdez Quade discusses with us the religious fraternity of penitentes in New Mexico, the inspiration behind the story, and the colonial violence that shapes our communities today.
Who gets to tell the story of breaking the vow of celibacy? Maybe we’re still waiting – even after “Fleabag” and “El Crimen del Padre Amaro.”