With “Sally” Cristina Costantini Creates an Inspiring, Cautionary Tale
In “Sally,” director Cristina Costantini celebrates the first U.S. woman to go into outer space while exploring her sacrifices.
In “Sally,” director Cristina Costantini celebrates the first U.S. woman to go into outer space while exploring her sacrifices.
Justice for Paul Reubens! As “Pee Wee as Himself” reminds us, the man behind the bow-tie gave us permission to be joyously weird and free.
“Sirens” has bold elements – dark feminine power, class commentary, even a whisper of mythology – but chooses to go vanilla instead.
From its score to its script, “Esta Isla” masterfully captures life in Puerto Rico while building our own mythic language.
“Murderbot” examines a future that feels increasingly like our present, with empathy (or the lack thereof) as the defining feature.
With “From the World of John Wick: Ballerina,” Ana de Armas becomes the first Latina to help a major Hollywood action franchise.
“Chespirito: Sin Querer Queriendo” (Chespirito: Not Really on Purpose) mostly gets it right, celebrating the legacy of Roberto Gómez Bolaños.
Thankfully, “Kiss of the Spider Woman” is authentically ours in a way this year’s awards juggernaut is not.
At their best, Latino genre films can recognize our hardships and celebrate the diversity of our cultures. Here are nine excellent examples.
“Overcompensating” satirizes today’s anti-gay and anti-woman groupthink that at worst is the mark of an emerging fascist rule.