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Why Brazilian Horror Matters
Horror is ripe for place-based innovation as it invites reflections on what destabilizes society, something Brazilian filmmakers know about.
Horror is ripe for place-based innovation as it invites reflections on what destabilizes society, something Brazilian filmmakers know about.
There are no evil stepmoms without spineless, absent fathers. But blaming women has always been easier. Thank goodness, that’s stopping.
“Brandy Hellville” is an earnest attempt to defang a company that preys upon girls and women but it doesn’t go far enough.
“Mexican Gothic” and “The Seven Husbands of Evelyn Hugo” were supposed to get an adaptation. Only the one with a white author is happening.
“One Life,” about rescuing Czech children during the Holocaust, had me whispering “never again” and wondering where these heroes are today.
“Problemista” depicts the immigrant experience as an impossible maze paved by money. And that’s accurate – take it from someone who lived it.
I speak Spanglish with pride but when I look back at the 2004 film I adored as a kid, I just can’t get over the casting of Spaniard Paz Vega.
A teenager once told me that, when he moved to Miami, he “thought everyone would look like Sofia Vergara.” He was surprised, and a little disappointed, to find that people here looked – normal. He was expecting all the hypersexualized Latinas he’d seen on TV. I didn’t have to ask what he meant. Miami, also […]
Eugenio Derbez’s Spanish dub of the Shrek films are arguably the funniest versions. So why aren’t they celebrated in the re-release?
What does it mean to call oneself Latina, Latine, or Latinx? Who gets to decide? And does it matter where you fall on the LATAM/US divide?