SXSW Films “Quince” and “Agridulce” Capture Latinx Coming-of-Age
SXSW 2026 selections, “Agridulce” and “Quince” brilliantly capture aspects of Latinx coming-of-age with very different approaches.
SXSW 2026 selections, “Agridulce” and “Quince” brilliantly capture aspects of Latinx coming-of-age with very different approaches.
Instead of investigating what Maddie’s overt sexuality means to her, “Euphoria” is happy to use it, once again, as just a trope.
“The Drama” asks, how do we judge who is worthy of sympathy? Are we judging harm or are we judging who we think is capable of harm?
Erika Gill’s “Lone Yellow Flower” is a stunning masterclass in how to mine the self, hoping it will come back better than before.
Like its predecessor “The Handmaid’s Tale,” “The Testaments” portrays toppling patriarchy as a long battle, fought on many fronts.
“Inside the Manosphere,” rage is the product, misogyny is the hook, and young men are the market. So what are we to do now?
With the depth of its performances and the beauty of its setting, “El Último Gigante” is a moving, visually stunning film.
Already canceled, season 2 of “Ted” leans hard into its signature chaos, but underneath the noise is Seth MacFarlane’s signature heart.
With YouTube videos stretching over half an hour, Maquicienta guides her audience through dissecting how systems interfere with our autonomy.
I prefer darker aesthetics and a quieter presence. For years, that made me feel out of place, as though I had to be “spicy” to be Latina.