“La Bachata de Bionico” Is a Compelling, Dark Comedy About Addiction
With the contradiction in its lead’s claims of love and intent to quit drugs, “La Bachata de Bionico” is funny, feeling real yet heightened.
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Q+A With The Flores Siblings, the SXSW Filmmakers Behind “The In Between”
With the SXSW documentary, “The In Between,” sibling and filmmakers Robbie and Alejandro Flores tell a different tale of the border.
Why “Solito” by Javier Zamora Matters
By telling his immigration story in “Solito,” Javier Zamora gives the Salvi community (and readers at large) a specific and unafraid memoir.
4 Iconic Oscar Isaac Roles to Celebrate His 45th Birthday
Whether as an understated indie star or a cocky fighter pilot, Oscar Isaac has proven that his is a genuine and undeniable talent.
The Short List of the 8 Oscar-Nominated Women Directors
These eight women directors deserve to be celebrated for their Oscar nominations but there should be so, so many more of them.
“Past Lives” Is a Mediation on (Immigrant) Sacrifice Wrapped in a Love Story
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
Jackie Cruz Taps into Her Maternal Instincts for “History of Evil”
Jackie Cruz sees her part in the horror flick “History of Evil” as part of her activism – and following in her mother’s footsteps.
“This is Me… Now” Won’t Help JLo’s Reputation as an Artist
Is JLo’s “This is Me… Now” a parody, an attempt at a meaningful work of art, or a feverish dream? Or is it just a commercial?
“La Guagua Aérea” and the Not So Promised Land
The 1993 film, “La Guagua Aérea,” is a classic story about [e]migration, delving into issues of identity, cultural pride, and assimilation.
Visually Stunning, “Dune: Part Two” is Otherwise Same Old
“Dune: Part Two” delivers stunning desert vistas alongside dreary empires of destruction, but its white savior narrative is tired at best.