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Westworld

10 Latinx Stars That Should be Nominated for an Emmy

We’re disappointed but we’re not surprised. Yet again 2020 is another year with no Latinx people getting Emmy nominations. It’s not that we haven’t tried – 2019 featured some amazing talent. From MJ Rodriguez’s iconic role as Blanca in the critically acclaimed Pose to Julissa Calderon’s stand out performance in Gentified, this year was filled with nuanced and heartfelt performances.

Even though these Latinas haven’t been nominated, we decided to celebrate them anyway. Here are the 10 Latinx stars that were robbed this year.   

MJ Rodriguez, Pose

For two seasons MJ Rodriguez has shined in the role of Blanca, showing us that chosen family is everything. The fact that her iconic performance hasn’t been recognized is simply wrong. It’s hard to think of other characters on TV that are more important than Blanca at this moment.

Rita Moreno, One Day At A Time

Speaking of icons, Rita Moreno clearly needs no introduction. For decades she’s graced us with her presence on the big screen and is still the only Latina to have won an Oscar and that was in 1961. However the Emmys seemed to have forgotten how to recognize greatness. Her role on One Day At a Time deserves an Emmy period. 

Melissa Barrera, Vida

Melissa Barrera’s Lyn has gone through quite the transformation over the course of Vida’s three seasons. In the latest installment, we were particularly impressed with how she expressed vulnerability and change while staying true to her core. Truly, an award-winning performance.

America Ferrera, Superstore

Superstore, while one of the few network shows on the list, deserves our recognition because of America Ferrera and her character Amy Sosa. As Ferrera explains “I just love that Amy doesn’t care if you like her. That’s so liberating for a female character to sort of walk around and say, ‘I don’t need you to smile at me. I’m just trying to get through the day.’ And she started in a place of really just trying to survive.”  

Ser Anzoategui, Vida

Vida is one of our favorite shows and Ser Anzoategui’s is part of the reason why. As Lyn and Emma’s mother’s not-so-secret partner, Ser has given us a character that gives us all the feels. Their acting chops are undeniable and deserve recognition. Also maybe let’s get rid of gendered categories all together? See Ser’s address to the academy

Julissa Calderon, Gentefied

Gentefied is one of our favorite new shows of 2019. Produced by America Ferrera, Gentefied gives us a world where we can see ourselves and Julissa Calderon as Yessika Flores gives Gentefied its activist center. It’s a role made for her and one that deserves recognition.

Tessa Thompson, Westworld

Tessa Thompson continues to be one of our favorite Latinx actors, from playing a badass superhero in Thor to the complex and nuanced Charlotte of Westworld. This show continues to play with the particularly relevant ideas around technology, data, and humanity. Is she a robot or human or both? Thompson is always keeping us on our toes and deserves recognition for this complex dynamic role. 

Stephanie Beatriz, Brooklyn99

While detective Rosa Diaz is one of the best parts of Brooklyn 99, we’re still hoping the show pivots from being about cops. Let’s not forget the episode that is completely dedicated to her coworkers’ challenge to get her to smile or her coming out as bisexual in season 5. 

Jessica Marie Garcia, On My Block

As Jasmine in On My Block, Jessica Maria Garcia does it all. She’s hilarious and over the top. She’s vulnerable and strong. We loved seeing her character join the center group in the third season of On My Block and really, couldn’t think of a girl with a better eyebrow game.

Rosa Bianca Salazar, Undone

In Undone, Rosa Bianca Salazar acts through a rotoscope animation effect and makes Alma more believable than most people on camera. Questioning the nature of reality, time, and space while also figuring out who you are is no small feat and Rosa never misses a beat. Give her all the awards!

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How Will the Rona Infect TV?

With everything going on, it can seem pretty silly to care about TV. But here I am, daydreaming about my shows. Like the rest of the nation, Hollywood is shut down for the foreseeable future — meaning if an episode wasn’t already shot, who knows when it’ll happen. But it’s not just a question of when, it’s also a question of how. What will the effect of the Rona be on TV? Will shows incorporate it into their plotlines? Do we want them to? We at latinamedia.co aren’t sure but we’ll be exploring what to watch during and after this crisis.

Certainly, medical shows a la Grey’s Anatomy will have to do a Coronavirus arc. How could a hospital drama possibly resist? And for Grey’s, they can’t let dramatic medical news go to waste. I can only imagine how hard it is to come up with new theatrics for our favorite surgical department after sixteen seasons and here’s an unprecedented health tragedy falling in their laps. My only question is if it’ll be one episode or one season. Really, Meredith, Bailey, and the team could do so much.

Outside of hospital shows, family sitcoms are well situated to write about this time. One Day At A TimeBlack-ish, and The Simpsons, shows that already take place in the living room know how to squeeze drama out of the domestic. Watching our favorite TV families exploring what it’s like to be stuck at home for who knows how long could be therapeutic. At least, I’d expect some good laughs as Lydia runs out of makeup or Bo teaches everyone how to wash their hands (again). There’s joy as well as fear for those of us privileged enough to self-isolate and I’d like to watch my favorite TV families laugh and love and cry through it.

And of course, there’s the political show. Since Trump took office, many shows have failed to match the absurdity of reality, their out-of-this-world plots suddenly seeming tame in comparison to the actual headlines. The exception is The Good Fight — they’ve satirized and weaponized the Trump Administration’s failure to great effect, finding ridiculousness and humor throughout. Imagine Riddick Boseman suing the federal government for more ventilators. Defending the mostly brown and black people who will fall victim to the disease. Continuing to lampoon the failures of the White House, just now with a Coronavirus spin.

As great as that would be, the genre I think that’ll give us the most insight into our current predicament is science fiction. Hear me out. Remember when Battlestar Galactica did a whole season on the occupation in Iraq? It had more to say than most ripped-from-the-headlines plots because it was able to take on the whole story, unencumbered by the details. Instead, it focused on the human costs and the emotional reactions. And it totally worked.

So who will be able to comment meaningfully on this moment? My hopes are with dark and nuanced shows. Maybe the fourth season of Westworld could do it. It could be a computer virus or a biological one (or one the jumps from humans to robots). It could unite the two groups and divide them, creating new castes of those with the disease and those without. It could ask what is the moral way to respond and how much should we sacrifice for the herd (the eternal question around Maeve and her daughter). It could ask what we are willing to change and who we are willing to collaborate with. And it could continue to expose who is valued and who is treated as expendable — the show’s true forte.

There’s something about the fictional future that seems best able to handle our unprecedented present. Let’s just hope we get there.

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10 Women-Centered Shows to Watch in 2020

Have you seen the news? According to a new report, we’re getting more media from women’s perspectives than ever before — a whopping 10% of top-grossing films were directed by women last year, representing the highest percentage in 13 years. And while some activists are literally shedding tears of joy, everyone agrees there’s still a lot more work to be done (see how the Golden Globes completely shut out women directors).

So together let’s start 2020 with a TV diet that’s more like 90% women-led, 10% men and keep pushing the ratio in the right direction. To help, we’ve put together a list of the ten women-centered shows we’re most excited about in 2020. Happy watching!

Call the Midwife

This BBC favorite is now in its ninth season and for those looking for a Nonnatus-House fix, you can catch the Christmas special before the new season starts airing state-side in March. Call the Midwife is pretty much the only show that valorizes women’s bodies and work without sexualizing them. And it does this while championing political issues like abortion and mental health to create truly compelling TV. Although, it does make us sad to see women in 1960s London get better maternal care than Americans today…

The Good Fight

We’d watch anything with Christine Baransky in it. And the same goes for Audra McDonald. So we’ll be re-upping our CBS subscription when The Good Fight returns later this year. We’re fine with the departure of Maia Rindell (played by Rose Leslie) and hope the show spends its free time centering its black characters (and hey, maybe there will even be a Latinx or two!). Whatever happens, we know The Good Fight will continue its tradition of cutting-edge political commentary, making this entirely women-helmed show a therapeutic must-see in an election year.

Grey’s Anatomy

We’re still watching Grey’s Anatomy and we’re not embarrassed about it! The second half of the show’s sixteenth season will air in 2020, not to mention whatever they have cooked up for the likely seventeenth installment. The show has morphed from its early bed-hopping days (don’t worry there’s still plenty of sex) to taking on issues ranging from working motherhood to systemic problems with healthcare. But if anyone can fix our medical system, we’re confident it’s Dr. Meredith Grey.

Insecure

We named Insecure one of our top shows to watch in 2019 but then it didn’t come out! So count us even more excited for the fourth season, which both Issa Rae and HBO promise will be out in 2020. That said, we’re happy for Rae whose major movie stardom delayed the premiere. This season, we’re expecting Issa to give us more heartbreak, laughs, and insights as she and her crew celebrate the trials and joys of being young, black, successful, and female in Los Angeles.

Killing Eve

Did you see Jodie Comer in Star Wars? It was blink and you’ll miss it but that’s not what we’re most excited about. The villainess from Killing Eve is having quite the year from her Emmy win to her appearance in the coveted franchise. That said, we all know our national treasure (that we borrowed from Canada) is still Sandra Oh. And we’re excited to see these two back together again, particularly, because women make murder and espionage more interesting (thanks to creator Pheobe Waller-Bridge)!

Pose

Pose is beautiful, heartbreaking, and fun, set in New York’s ballroom scene of the late 80s, early 90s. While we’re glad the show has gotten Billy Porter that much closer to his EGOT (looking at your Oscar), we’re particularly enthusiastic that the show’s Afrolatinx stars Mj Rodriguez as Blanca and Indya Moore as Angel are getting their due. We’re expecting season three to be just as poignant as Blanca continues her recovery from AIDS complications and Angel braves the fashion industry as an out, trans model.

Russian Doll

The first season of Russian Doll was pretty much perfect so we’re having a hard time imagining what they’ll do in season two. That said, we trust this all women writers’ room and directorial team to deliver a stunning sequel. Netflix is cagey about the details but we can’t wait to see Natasha Lyonne, Charlie Barnett, Greta Lee, Dascha Polanco, and Ritesh Rajan back together contemplating life and death. At the very least, we’re promised great music, costumes, and the rare depiction of the true diversity of New York City.

Shrill

Show creator Lindy West holds a special place in our heart from her writing days at Jezebel. Two books, a New York Times column, and one show later, we’re even bigger fans. Staring Aidy Bryant and Lolly Adefope, Shrill follows a young journalist and her roommate as they make careers for themselves in their plus-sized bodies that have nothing wrong with them except how society views them. With the bonus points earned for the abortion scene in season one, we’re sure Shrill’s second season, out this year, will deliver a tragicomic look at the reality of being a young woman in America today.

Vida

We think Vida is pretty much the best thing on TV. Created by Latina Tonya Soracho and following the Hernandez sisters as they deal with gentrification, sexual mores, and identity issues, Vida is as hot as it is compelling. Plus it bucks all the stereotypes of latinidad from how we eat our tacos to how we deal with generational conflict. Season two ended in a hell of a cliffhanger and we can’t wait to see what season three means for the bar, the sisters, and the entire neighborhood.

Westworld

It’s been a while since we’ve been to Westworld (we think it’s destroyed now) but we’re still excited to dive back into HBO’s sci-fi dystopia. Helmed by Evan Rachel Wood and Thandie Newton, Westworld is the ultimate critique of patriarchy — exploring what happens when men get to live out their toxic masculine fantasies (surprise there’s a lot of rape and violence). In season three, the victims of these attacks are fully sentient and ready to fight back with their superior strength and knowledge. Plus watching Tessa Thompson kick ass is always a pleasure.

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