“Brandy Hellville” Is Shocking, But Not Surprising
“Brandy Hellville” is an earnest attempt to defang a company that preys upon girls and women but it doesn’t go far enough.
“Brandy Hellville” is an earnest attempt to defang a company that preys upon girls and women but it doesn’t go far enough.
The late, great Lourdes Portillo’s presence and willingness to lean into ambiguity make “The Devil Never Sleeps” a classic to catch now.
“Omar and Cedric: If This Ever Gets Weird” is an unrestrained, personal account of two musicians’ lifelong friendship.
With the SXSW documentary, “The In Between,” sibling and filmmakers Robbie and Alejandro Flores tell a different tale of the border.
Is JLo’s “This is Me… Now” a parody, an attempt at a meaningful work of art, or a feverish dream? Or is it just a commercial?
SXSW 2024 is back and better premiering twelve full-length films featuring Latinx talent, filmmakers, and luminaries.
Dani of “Love on the Spectrum” shows us that not only is it perfectly acceptable to want sex, but we can also tell our partners what we want.
Sometimes, the best true stories are fiction, at least in part. That’s the case of animated false documentary, “They Shot the Piano Player.”
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
Latinx authors, historians, scholars, and experts are writing us back into history with their own Latinx textbooks.