The Theatrical Re-Release of “Shrek 2” Deserves a Spanish Dub
Eugenio Derbez’s Spanish dub of the Shrek films are arguably the funniest versions. So why aren’t they celebrated in the re-release?
Eugenio Derbez’s Spanish dub of the Shrek films are arguably the funniest versions. So why aren’t they celebrated in the re-release?
What does it mean to call oneself Latina, Latine, or Latinx? Who gets to decide? And does it matter where you fall on the LATAM/US divide?
From “Mutt” to “In the Summers,” Lío Mehiel normalizes and humanizes people who are too often villainized or erased.
Whether as an understated indie star or a cocky fighter pilot, Oscar Isaac has proven that his is a genuine and undeniable talent.
These eight women directors deserve to be celebrated for their Oscar nominations but there should be so, so many more of them.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
“Sujo,” an emotionally arresting film by Mexican filmmakers Astrid Rondero and Fernanda Valadez premiered at Sundance to great acclaim.
Ten years after its release, the dysfunctional musical family of “Mozart in the Jungle” still holds a special place in our hearts.
As a child, the Mexican filmmaker behind “Tótem,” Lila Avilés spent a lot of time alone – an experience she now brings to the big screen.
Alessandra Lacorazza’s semi-autobiographical film “In the Summers” is about two sisters who visit their alcoholic father (aka Residente).