…to her.” Both admissions involve real harm, real victims, and real outcomes, yet neither character is suddenly perceived as dangerous in the way Emma is. Surprise: she’s white American. And…
…First, there is Aunt Lydia, a character known for the power she wields over the most vulnerable women in Gilead. The other two voices belong to young women who will…
…women are expected to remain loyal. The women who appear alongside them often perform agreement, even enthusiasm. But look closer – really look – and something else flickers behind the…
…she touches. Here, she becomes the ghost of late-20th-century womanhood – trapped somewhere between the promise of second-wave feminism and the reality of still being expected to clean up after…
…for authority so much as an acknowledgment of absence and her decision to fill it. For young women navigating bilingual, transnational, algorithmically saturated realities, that kind of presence is not…
…and a kind of theatrical warmth that never really rests. That to be Latina, is to be spicy. But lately, a different expression of Latinidad has been quietly gaining visibility….
…listeners use their imaginations by excluding images, Casanova-Burgess said, which is definitely what’s happening in this season’s second episode. It features the hero of the cuatro. “You can really listen…
…a controversial move at the time. Mexica noblewomen grew up in a culture where slavery was a normal, daily part of life, even before the arrival of the Spanish. And…
…Stracke is a newer, zen-er, Sutton Brown. But the real headline of Season 15 of the Real Housewives of Beverly Hills is the return of Rachel Zoe to both Bravo…
…The women connected to the Epstein files. The women who have come forward about President Donald Trump. The women who Chavez targeted as children. The women whose stories surface briefly,…
