…reality is itself a kind of narrative surrender. Refusal, then, becomes a small act of resistance against automatic consumption. In a media economy that measures success in clicks, streams, and…
…which on the surface is a story of a misogynistic rapper, played by Bad Bunny, who consistently makes inappropriate passes at women. But his behavior is used as a foil…
…what happened when the colonizers took our women.” This phrasing neatly gets to the heart of the problems with American Pachuco and Chicanismo as an identity and a movement: women…
…show that these women are of their conservative communities. They have multiple generations of roots there. They own guns. They’re veterans. They’re preachers’ daughters. They’re (almost all) white. We’re not…
…must find the real killer and bring him to justice. To dismantle the prosecution’s case, the Haller & Associates team embarks on a frantic race against time. While Lorna (Becki…
…crime and not the fallout. All of which makes it harder for real victims to be understood. And then, when those victims are women of color – who are more…
…Mexican rodeos. “Display” is a keyword, as co-directors Mojica and Zweig continuously emphasize the performance of it all, from Mojica’s schoolyard days of “dust[ing] off the boots we never really…
…That said, it’s hard not to think about the country right now as divided into two realities. In politics, in media, in daily life. One that seeks to exclude and…
…I’m sorry, I don’t buy A’Zion’s statement. With a name like “Gutiérrez,” how did she not realize the character is a Latina? In this day and age, “I didn’t know”…
…like that. That is fat-free Cali architecture pretending to be a South Florida Cuban crawl space, and it is not convincing. In real Hialeah, that space would already be an…
