Meet LALIFF’s Diana Cadavid, Guardian of The Latin Film Galaxy
Officially, Diana Cadavid is Director of Industry Programs for Latino Film Institute. Unofficially, she’s a guardian of the Latin film galaxy.
Officially, Diana Cadavid is Director of Industry Programs for Latino Film Institute. Unofficially, she’s a guardian of the Latin film galaxy.
Immigration cleaves a family’s history into a before and an after. My book “The Eternal Forest” is a conversation between the two.
“The Bleeding Woods” is a happy little mess of things that made me smile when my smiles were in short supply – and I am grateful for it.
Many just stand by and watch while Cristela Alonzo stands up and tells it like it is every day and in her Netflix special “Upper Classy.”
Alex Villasante and Inés Ayala share why the Latinx Storytellers Conference is giving prepublished authors “access, craft, and community.”
We should be able to tell all the stories – including the messy ones Lucia’s in “Someone’s Gotta Give” – because they are ALL our stories.
I wrote “I Am Worthy” to break the spell of unworthiness that tells us we are too much, not enough, or both at the same time.
Trust me – you should add upcoming Latina books “Gabriela and His Grace” and “The Lost Story of Eva Fuentes” to your reading list.
Combining U.S. horror tropes and Mexican folk lore, Silvia Moreno-Garcia’s latest novel, “The Bewitching,” is the representation we need.
As the new Dora the Explorer, Samantha Lorraine kept asking herself, “What would little Samantha want to see?”