“Upload” Concludes Its Prescient Warning on AI-Generated Ghosts
“Upload” premiered in 2020 and as it ends, technology has caught up to its premise of turning death into just another interface.
“Upload” premiered in 2020 and as it ends, technology has caught up to its premise of turning death into just another interface.
Chief of War, the Apple TV+ series, is far from a flat experience — you can breathe it, feel it; it smells of earth, blood, and sea salt. It grips you from the opening minutes, as Kaʻiana (played by Jason Momoa) faces off against a shark in the depths, and it doesn’t let go until […]
With its mix of humor, heartache, and redemption, “Stick” uses the lightness of comedy to explore the weight of life.
“28 Years Later” asks, what if the infected were not just beasts, but a new form of consciousness? What would that mean?
“Murderbot” examines a future that feels increasingly like our present, with empathy (or the lack thereof) as the defining feature.
With “Étoile,” the Palladinos are building a deep reflection on how ethical dilemmas intersect with the need to preserve art.
The US has always had echoes of Gilead so perhaps there’s something to learn in the final season of “The Handmaid’s Tale.”
Streaming platforms are creating a new telenovela with innovative formats available for the quick consumption modern Latinx viewers like.
As someone working to help immigrants in Madrid, I see a lot of truth in the fictional story of “The Brutalist” and its László Tóth.
LatinaMedia.Co spoke with Eileen Álvarez and Eunice Levis about their short films, available now in Netflix’s “Fresh Perspectives” collection.