Bad Bunny Turned the Super Bowl Into Puerto Rico’s Living Room
Bad Bunny took the biggest stage in American spectacle culture – The Super Bowl –and said: we’re doing this Boricua style ahora.
Bad Bunny took the biggest stage in American spectacle culture – The Super Bowl –and said: we’re doing this Boricua style ahora.
Sometimes, the most honest review is declining to participate in the spectacle at all. That is my position on Amazon Prime’s “Melania.”
The Affleck-Damon reunion “The Rip” is just another story where a Latin city becomes a backdrop for white male moral collapse.
“Gail Daughtry and the Celebrity Sex Pass” is a dumb, strangely hopeful comedy about agency and the ways women are taught to compromise.
A dead body is impaled on a sculpture at Art Basel Miami, and instead of calling the police, a desperate gallerist decides to sell it. That’s not a metaphor. That’s the actual logline of Cathy Yan’s The Gallerist, which premiered at Sundance 2026. They bill it as a “comic thriller” and “ironic fever dream” about […]
A24’s “Eternity” sneaks serious, uncomfortable questions into a story that looks, at first glance, like a charming rom-com.
“Regretting You” offers a grounded, emotionally resonant story with a dash of dark humor and a lot of empathy for women.
I don’t know how this happened. I watch film for work. I make watchlists like it’s a personality trait. And yet I missed these movies.
Netflix’s latest Real Housewives knock-off, “Members Only: Palm Beach” is about what happens when status replaces substance.
“Mickey 17” leaves you feeling that the film isn’t speculative fiction so much as a documentary shot five minutes into the future.