
Joiri Minaya: The Art of Disrupting the Colonial Gaze
Joiri Minaya has been exhibited, acquired, supported by fellowships – but mainstream art publications still ignore her.
Joiri Minaya has been exhibited, acquired, supported by fellowships – but mainstream art publications still ignore her.
At the end of the day, “Running Point” is just another example of Hollywood’s lazy approach to Latino representation.
The media’s response to Netflix’s “With Love, Meghan” has been nothing short of unhinged – and their bias is showing.
Hollywood pretends that if Latinas in the military work hard they’ll succeed. Trump is spitting in the face of that narrative.
Through textiles, Elsa María Meléndez creates raw, unapologetic takedowns of Puerto Rico’s colonial status. She should be a household name.
At the 2025 Oscars, the Academy patted itself on the back again while Latinx creatives remain sidelined, despite our essential contributions.
Great soundtracks become characters in their own right and these five hype me up and give me a reason to dance in my kitchen.
If the art world won’t invite Latina artists in, we’ll keep showing up anyway. And as Yali Romagoza has already proven, we’ll do it in style.
HBO Max’s “The Pitt” is a raw, visceral look at a system stretched to its breaking point and the people caught in its crossfire.
Latina visual artists are overlooked, undervalued, and underpaid. The mainstream press ignores them, but not us at Latina Media Co.