I Guess There Are Non-Latinx Films at Sundance Too
Sundance selects 8-15 feature films from our community per year, but what happens at the non-Latinx part of the festival? I investigate.
Sundance selects 8-15 feature films from our community per year, but what happens at the non-Latinx part of the festival? I investigate.
“The Musical” is all about critiquing white guys’ belief in their own greatness, even when the world is so clearly telling them otherwise.
I have a ray of light for you in the form of a documentary, “The Librarians,” which tells the stories of white women resisting book bans.
Sundance winner “Josephine” lays bare the hard truth that parents’ best can’t keep their kids safe. Not in this unjust world we’ve built.
Watching “Aanikoobijigan,” I kept returning to one disturbing question: what the fuck is wrong with the people who keep stolen human remains?
It’s going to be an epic year at Sundance and thankfully, Latinx storytellers are representing for the last time in Park City in 2026.
“Bob Trevino Likes It” earns your tears through its thoughtful rumination on connection, hurt, and healing.
Juan Mejía Botero, director of “Igualada,” talks about making a film about Colombia’s first Black woman vice president, Francia Márquez.
In “Sally,” director Cristina Costantini celebrates the first U.S. woman to go into outer space while exploring her sacrifices.
Thankfully, “Kiss of the Spider Woman” is authentically ours in a way this year’s awards juggernaut is not.