
Take it From a Mexican: “Emilia Pérez” is Trash
“Emilia Pérez” is yet another example of Mexican struggles and culture being exploited for the benefit and ego of non-Mexicans.
“Emilia Pérez” is yet another example of Mexican struggles and culture being exploited for the benefit and ego of non-Mexicans.
The Oscar nominations are out but already knew what was going to happen – the Academy delivered snubs to Latina filmmakers, again.
Fernanda Torres getting not just the Oscars nomination but win will avenge her mother’s loss and the Academy’s many snubs of Brazil.
While Hollywood stifled queer stories, things happened differently in LGBTQ Latin American cinema – and these 11 films prove it.
What does it mean to call oneself Latina, Latine, or Latinx? Who gets to decide? And does it matter where you fall on the LATAM/US divide?
These eight women directors deserve to be celebrated for their Oscar nominations but there should be so, so many more of them.
I see myself in “Past Lives.” Like the Oscar-nominated film’s heroine Nora, I’ve equated falling in love with losing control for so long.
As a child, the Mexican filmmaker behind “Tótem,” Lila Avilés spent a lot of time alone – an experience she now brings to the big screen.
Ariana DeBose sat down with LatinaMedia.Co to talk about her new film “I.S.S.,” life since her Oscar win, and how she chooses roles.
Today Gael García Bernal celebrates his 45th birthday and we’re taking the day to re-watch some of his best performances.