Why This Latina Relates to the White ‘The Lost Daughter’ Like Nothing Before
After seeing ‘The Lost Daughter,’ I understand myself and my family better, even as I wish for more stories on this topic, particularly Latinx ones.
After seeing ‘The Lost Daughter,’ I understand myself and my family better, even as I wish for more stories on this topic, particularly Latinx ones.
In Queer Eye’s season six, we meet Angel Flores, a Latinx trans woman who is discovering who she is and trying to mend her relationship with her father.
While grief is its jumping off point, ‘Mixtape’ will put a smile on your face. Soon your favorite songs will rise up to wrap you in a nostalgia blanket.
I consider la familia one of the most important and confusing parts of being a Latina, so I appreciated the 2021 Latinx movie ‘No One Gets Out Alive’ for navigating this complicated territory inside the classic horror genre. But in the journey of killing off the mother and fighting the pressures of being a good Latina daughter, the movie ends up reinforcing established power dynamics that leaves the Latina with no escape, just death.
There was nothing quite like hearing Ana Morales say, “I am a brown lesbian woman” in the middle of a corporate boardroom in Gentefied’s second season.
Over the years, I’ve noticed television shows being the place where female friendship has flourished on screen. There has been a liberation of new topics and taboos that weren’t ever shown before, giving us more room for representation, and new role models to aspire and relate to.
Netflix’s On My Block is a coming-of-age story; a dramady about a group of friends growing up in South L.A. Navigating their daily struggles for survival, this show blends culture and race with laughs and tears. The final season finds us two years later after our compas have gone their separate ways. It’s senior year, and if you know anything about this show, it’s far from normal.
Maybe not the show to watch con Mamá, Netflix ‘Sky Rojo’ is sex and violence, conflict after obstacle after holy-shit moment. It’s also a must binge.
The thing that differentiates ‘Never Have I Ever’ from other series for me is Fabiola Torres, the shy, nerdy, robotics-loving, polo shirt-wearing wearing Afro-Latina lesbian I’ve been waiting for.
It’s been weeks since Netflix dropped ‘Shadow and Bone’ and our feeds are still filled with hot takes. It premiered on the top-ten list and seems to have at least some staying power. Is ‘Shadow and Bone’ really that good? Or is it just the algorithm sweet spot of YA, fantasy, adventure, romance? Per usual, Latinas do not agree…