Studios Forsake LGBTQ Representation at Their Own Peril
Q&A with GLAAD researcher Raina Deerwater about her “Where We Are in Film” report on LGBTQ representation in film.
Q&A with GLAAD researcher Raina Deerwater about her “Where We Are in Film” report on LGBTQ representation in film.
Club Kid is a triumph. And Diego Calva? He’s just getting started. Thankfully, A24 scooped up the rights, so we’ll all be seeing it soon.
Starring Oscar Issac and Carey Mulligan, “Beef” season two is less about moments of unhinged pettiness and more about class warfare.
“The Drama” asks, how do we judge who is worthy of sympathy? Are we judging harm or are we judging who we think is capable of harm?
Pretending a person can’t be Mexican AND Jewish – as seems to be the case in the conversation around the ‘Deep Cuts” casting – is wrong.
A24’s “Eternity” sneaks serious, uncomfortable questions into a story that looks, at first glance, like a charming rom-com.
Created by Salvadoran-American Vivienne Medrano, “Hazbin Hotel” asks – Who’s good? Who’s bad? And how do we decide?
A unicorn. A billionaire. A bloodbath. Sounds like a fever dream, right? But that’s exactly what you get in HBO Max’s and A24’s Death of a Unicorn, a glittery, gory satire that sinks its horn straight into the rotten heart of capitalist greed. The setup is deceptively simple: A weekend retreat has deadly consequences when […]
“The Materialists” judges its heroine for wanting financial security and forsakes Pedro Pascal in the process.
The tides are turning in horror and the roster of scream queens is growing increasingly diverse with Latinas helping to lead the way.