“Somewhere We Are Human” is a new anthology created by currently or formerly undocumented people. Curated by Reyna Grande and Sonia Guiñansaca, the entries range from visual art to personal essays (with poetry, arguably, in between), with authors, artists, and curators hail from Latin America, Asia, and Africa. Inherently this book shapes an understanding of immigration usually left out of US textbooks.
"familia"
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Selena Gomez’s Mabel is conditioned to respond to trauma by pretending it isn’t there – and Only Murders in the Building reflects that tendency.
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The Valet has a little bit of everything—gentrification, family dynamics, love and heartbreak, friendship, grief, and relatable Latinx humor.
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The issue with Now & Then isn’t that its characters are uninteresting, or the story seems very familiar – though at times, both are true.
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Justicia and CulturaWhat We're Watching
Bad Bunny as ‘El Muerto’ Is Not The Hero We Deserve
by Alan Baezby Alan BaezHe’s a villain, not a hero, I know. There’s a lot I could say about casting Puerto Rican Bad Bunny as a Mexican character, especially one so out of pocket…
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Following a super mezclado family, ‘The Garcias’ features a beautiful blend of interests, cultures, businesses, and ages.
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From the reality of the American dream to mother-daughter relationships and generational trauma, tapping into different versions of yourself to examining the people we love and what they teach us—’Everything Everywhere All At Once’ will break you open and show you how beautiful chaos can be.
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Growing up, telenovelas taught me about a woman’s right to choose her own destiny. Something I included when I made my own, “Princess of South Beach.”
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Dominican and Caribbean-American author Naima Coster is unafraid to tell extraordinary stories about ordinary families, especially the women that lead them. Her sophomore novel “What’s Mine and Yours” is now out in paperback.
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Re-watching the hit Colombian telenovela ‘Yo Soy Betty, La Fea’ offers this Costa Rican fan plenty of reflection opportunities.